Amazingly, nobody had made a Twitter bot doing Raymond Queneau’s Cent mille milliards de poèmes.
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Recent Posts
- Inscribed inevitability: Jessica Au’s ‘Cold Enough for Snow’ 04/11/2022
- @100000milliards: A Queneau Twitter bot 08/11/2020
- redactor: A JavaScript tool for making erasure poetry from websites 06/07/2020
- Neue Impressionen: Maximilian Gilleßen und Anton Stuckardt sprechen über ihr Verlagsprojekt ‚zero sharp’ 05/02/2018
- Translations in STILL: Georg Leß and Axel Görlach 10/01/2018
- Joshua Cohen in Berlin: An Interview 07/01/2018
- Arrival’s Fatalism 26/12/2017
- The irreducible significance of literature: David Wellbery on Goethe, Cavell and de Man 26/12/2017
- Literature Away from Home: Jake Schneider on Translation, Little Magazines and More 26/12/2017
- On Beauty 26/12/2017
- Ernst, Tragisch, Problematisch – Guido Mazzoni on Late Capitalism and the Theory of the Novel 07/02/2017
- Stimmung 2016 – an interview with Hans Ulrich Gumbrecht 15/11/2016
- On Dylan and the Nobel 12/11/2016
- The limits of my language are not the limits of my world 24/06/2016
- The Totality of Facts 10/06/2016
- Trolling the New College of the Humanities 18/09/2015
- Ana Lily Amirpour, ‘A Girl Walks Home Alone at Night’ (2015): Redacted Facebook rant 09/06/2015
- Daphne 30/05/2015
- Christmas Fugue 24/12/2014
- Translation: Montale, ‘La primavera hitleriana’ 01/11/2014
- Zwischen Überlieferung und Kritik: Moderne und Postmoderne Haltungen gegenüber dem Problem der Legitimität 06/10/2014
- Le vagabondage de la raison : Proust et la pensée de l’essai selon Adorno 10/08/2014
- Brandom on genealogy and semantic naiveté 25/06/2014
- If an artwork is morally dubious, does that make it aesthetically bad? 22/06/2014
- your vague art / Berlin, 21.05.14 13/06/2014
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