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- Inscribed inevitability: Jessica Au’s ‘Cold Enough for Snow’ 04/11/2022
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- Neue Impressionen: Maximilian Gilleßen und Anton Stuckardt sprechen über ihr Verlagsprojekt ‚zero sharp’ 05/02/2018
- Translations in STILL: Georg Leß and Axel Görlach 10/01/2018
- Joshua Cohen in Berlin: An Interview 07/01/2018
- Arrival’s Fatalism 26/12/2017
- The irreducible significance of literature: David Wellbery on Goethe, Cavell and de Man 26/12/2017
- Literature Away from Home: Jake Schneider on Translation, Little Magazines and More 26/12/2017
- On Beauty 26/12/2017
- Ernst, Tragisch, Problematisch – Guido Mazzoni on Late Capitalism and the Theory of the Novel 07/02/2017
- Stimmung 2016 – an interview with Hans Ulrich Gumbrecht 15/11/2016
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- The limits of my language are not the limits of my world 24/06/2016
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- Ana Lily Amirpour, ‘A Girl Walks Home Alone at Night’ (2015): Redacted Facebook rant 09/06/2015
- Daphne 30/05/2015
- Christmas Fugue 24/12/2014
- Translation: Montale, ‘La primavera hitleriana’ 01/11/2014
- Zwischen Überlieferung und Kritik: Moderne und Postmoderne Haltungen gegenüber dem Problem der Legitimität 06/10/2014
- Le vagabondage de la raison : Proust et la pensée de l’essai selon Adorno 10/08/2014
- Brandom on genealogy and semantic naiveté 25/06/2014
- If an artwork is morally dubious, does that make it aesthetically bad? 22/06/2014
- your vague art / Berlin, 21.05.14 13/06/2014
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Category Archives: aesthetic experience
The irreducible significance of literature: David Wellbery on Goethe, Cavell and de Man
David E. Wellbery is LeRoy T. and Margaret Deffenbaugh Carlson Professor at University of Chicago, where he chairs the Department of Germanic Studies and is a member of the Committee on Social Thought. A renowned scholar of the German tradition, … Continue reading
On Beauty
On 26 April 2017 I participated in a panel discussion on beauty in Berlin. Here’s what I and the others said: The word “beautiful” is used in relation to a loose range of phenomena. When we look for beauty in … Continue reading
The Totality of Facts
In 2013 I attended the European Quizzing Championship in Liverpool and wrote a piece about it. The original was so long and misshapen it took me two years to get around to editing it. I finally did, and it’s up … Continue reading
If an artwork is morally dubious, does that make it aesthetically bad?
This stupid question needlessly dominates so much discourse about the “ethical criticism” of artworks. I wish it could be torpedoed out of sight. The question is stupid because (i) the answer is obviously “no”; (ii) it risks conflating two forms … Continue reading
Beethoven, Cavell and Talking Nonsense
In music, film and literature (though not in visual art), grammar is the question of what comes next. The grammar of natural languages imposes restrictions on word order. Functional harmony frowns upon certain progressions of chords. The famous Kushelov Effect suggests … Continue reading
Posted in academia, Adorno, aesthetic experience, aesthetics, criticism, ethics, form, literature, music, philosophy, pointless rants, Rilke, Stanley Cavell, Uncategorized
Tagged Beethoven, skepticism, Zizek
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Nouveaux dialogues entre littérature et philosophie
For French readers, I have a review up at Acta fabula discussing questions of form in literature and philosophy. Existe‑t‑il vraiment une distinction précise entre la littérature et la philosophie ? Au moins depuis l’époque poststructuraliste, la tendance des départements … Continue reading
Posted in academia, aesthetic experience, aesthetics, Cora Diamond, ethics, form, literature, philosophy, publications, reviews, Robert Brandom, work
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A note on Kieślowski
I recently rewatched Krzysztof Kieślowski’s La double vie de Véronique, a film I first saw around Christmastime 2008. Returning to the film was really an attempt to recover the feeling of inspiration and possibility I experienced when I first saw … Continue reading
Posted in aesthetic experience, film, Kieślowski, Rilke, tragedy
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